Spontaneous scarf

This is hardly the weather to be thinking about scarves (hurrah!), but as I’ve suddenly acquired a large stash of odd balls of wool from a friend, I thought it was worth trying out this pattern for a spontaneous scarf by Charlene Anderson.

The scarf is knitted lengthwise, changing the yarn every row and leaving a length of 7-8 inches of wool at each end that later forms the fringe. By using moss stitch (that’s British moss stitch, not American moss stitch*), you achieve an almost woven effect.

It’s so effective but so simple – certainly simple enough for me to be able to watch Scandinavian thrillers with subtitles without any problem while knitting! And because you change yarn every row, it’s great for using up leftover balls.

*Another example of two nations divided by a single language. In British moss stitch you knit one, purl one across the row, and then on the second row you purl the knit stitches and knit the purl stitches. Americans call this seed stitch. American moss stitch is alternating knit and purl across two rows, followed by two rows of alternating purl and knit.

3D nuno felting

I’m currently working on a series of spherical felt samples, experimenting with different techniques to introduce additional texture to the form.

I started with straightforward nuno, enclosing the plastic resist with silk cut from an old scarf,  felting over it, cutting it open and turning it inside out:

I also tried knitting with strips of silk scarf knotted together and then felting it – on a flat piece this time.  I put some wisps of wool over part of the knitting to help it felt in, but it didn’t really need it. The silk knitting felted in very well, but I think the stitches needed to be more open to get the contrast between the felt and the silk:

So then I used crochet – first with 100% wool (Rowan Felted Tweed) and then with a mystery yarn donated by a friend. I suspect it’s synthetic, because it’s quite shiny, but I thought I’d still give it a go, because the contrast in texture would be very interesting.

The wool version did felt in, though it also went quite hairy. The other version didn’t felt in, but seems quite happy sitting on top of the felt. I may try stitching on top just to catch it in and make sure it stays in place.

I’ve got some lambswool yarn that is used at Morley for machine knitting – I’m going to try using that to see if I get a less hairy finish.

Felted entrelac

I’ve been doing quite a lot of knitting over the holidays, probably as a change from all the felting and embroidery I did before Christmas. But I don’t have the patience for big projects like sweaters any more, so I’ve been looking out for quick items that are still challenging or unusual, like the pinwheel purse.

So when I came across these felted entrelac fobs, I had to have a go. Not just because I’d never knitted entrelac (a stitch that looks like basket weave), but also because I could felt it afterwards.

The knitting instructions looked complicated but were actually fairly straightforward. The biggest problem I had was finding a set of five 6.5mm double-pointed needles – in the end I used four double-pointed needles and one circular one.

To felt, I put it inside a pillow case and washed it with a load of bedding at 60°C. Although it felted slightly, it wasn’t enough for my taste:

So I tried again, this time putting it in the machine with a large bath towel, without the pillow case, at 60°C. Much better result:

And here it is with the cord, made from twisted wool  (I haven’t got hold of a key fob attachment yet). I think I might try felting the cord at some stage as well.

Knitted pinwheel purse

As a break last night from sewing up purses/spectacle cases/Oystercard holders/smartphone cases, I picked up my (dusty) knitting needles and made this cute pinwheel purse from Frankie Brown.

It’s very simple and very clever – the secret is in the blocking (wetting it and pinning it out to dry). It would be a perfect wrapping for a pair of earrings or for keeping a few buttons or beads in.

 

Friday favourites

Just a few works that have caught my eye in the past couple of weeks.

 

Michelle Griffiths, Cross Pollination series

Michelle Griffiths uses shibori techniques but without the dye to create beautiful 3D forms. I’ve noted before that when the fabric is pleated, folded, stitched or tied before dyeing, it often looks very attractive. Michelle has worked this concept into an art form. I missed her exhibition earlier this year at the Lesley Craze Gallery, but I would love to attend one of her workshops.

 

 

Velcro necklace by Yong Joon Kim

Yong Joo Kim received her Master of Fine Arts in Jewelry and Metalsmithing from the Rhode Island School of Design. So she’s used to working with silver and precious metals, but her latest collection of jewellery is made from Velcro.

 

 

Knitted stool covers by Claire Anne O'Brien

Claire-Anne O’Brien is an Irish textile designer who specialises in knitting. I love her huge-scale knitted stool covers.

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