Inspired by the V&A

Every year the Victoria & Albert Museum holds an art competition, called “Inspired by”  for people on part-time courses. Entrants have to create a piece inspired by work in the collections of the V&A or the Museum of Childhood. Selected works are displayed in the relevant museum in October.

I’m planning to enter some of the indigo felted vessels I’ve made. The pieces that have inspired me are a stoneware sake set by Yamada Hikaru made around 1979, and a 17th-century blue and white porcelain sake bottle, maker unknown.

I love the organic simplicity of the forms of the vessels in the sake set, and I thought I would use indigo dye and shibori, both traditional Japanese techniques, to add the blue and white element.

You’ve already seen some of these, but here’s a photo of the final set. The two larger felt vessels are ombre dyed with indigo, while the five smaller ones are nuno felted with a different yarn or fabric, also dyed with indigo.

Larger felt vessel, ombre dyed with indigo

Smaller felt vessel, also ombre dyed with indigo

Nuno felt pot with silk velvet

Nuno felt pot with cotton muslin

Nuno felt pot with silk chiffon

Nuno felt pot with ombre-dyed crocheted lambswool

Nuno felt pot with cotton gauze

Just have to fill in the entry form now – probably the hardest part!  ;-)

Still blue

The loss adjuster came yesterday and said that he would be sending a company round to install some heaters and dehumidifiers to help speed up the drying process (the walls of the hall are still sopping and the kitchen floor is still damp 10 days after the flood). The wall and ceiling paper in the dining room (aka my studio) have been the worst affected, so it looks as if there will be considerable disruption there over the next few weeks.

In the meantime I plough on – what else is there to do? Yesterday I ombre dyed my latest vessel. It’s not as even as I intended, but the unevenness adds extra texture, like a ceramic glaze, so I’m happy with it.

I’ve also made some smaller nuno pots, again dyed with indigo. The first used silk chiffon, the second crocheted yarn that had been ombre dyed.

3D nuno felting

I’m currently working on a series of spherical felt samples, experimenting with different techniques to introduce additional texture to the form.

I started with straightforward nuno, enclosing the plastic resist with silk cut from an old scarf,  felting over it, cutting it open and turning it inside out:

I also tried knitting with strips of silk scarf knotted together and then felting it – on a flat piece this time.  I put some wisps of wool over part of the knitting to help it felt in, but it didn’t really need it. The silk knitting felted in very well, but I think the stitches needed to be more open to get the contrast between the felt and the silk:

So then I used crochet – first with 100% wool (Rowan Felted Tweed) and then with a mystery yarn donated by a friend. I suspect it’s synthetic, because it’s quite shiny, but I thought I’d still give it a go, because the contrast in texture would be very interesting.

The wool version did felt in, though it also went quite hairy. The other version didn’t felt in, but seems quite happy sitting on top of the felt. I may try stitching on top just to catch it in and make sure it stays in place.

I’ve got some lambswool yarn that is used at Morley for machine knitting – I’m going to try using that to see if I get a less hairy finish.

African hats at the British Museum

In the same room as the wonderful Benin plaques at the British Museum is a small display of African hats. No wonder they are easily overlooked.

They include some funky crocheted cotton hats from the Cameroon grasslands:

Also a Tunisian chechia, knitted in 2-ply merino, washed in hot soapy water until it shrinks to half the size (the photo below shows the original knitted hat above and the felted one below):

After felting, the surface of the hat is raised by carding with a tool made from a teasel:

Finally, there’s a fascinating hat made from spiders’ webs, cane, twine and ostrich feathers made by the San people of southern Africa in the early 20th century:

Talking of webs, a new V&A display has just opened that will showcase the world’s largest pieces of cloth made from spider silk. Just as long as they don’t have any of the producers lurking in the corners…

Circles scarf

What I like about this scarf is that it looks as if it’s made from hundreds of circles sewed together. In fact, it’s made in long strips of circles, which are connected with slip stitch as you go along. So there’s no sewing – only a few ends to tidy up at the end. Which is a relief – I hate having to sew in lots of ends.

And it’s worked in a multicoloured yarn, so you don’t have to keep changing colours all the time.

I found the pattern, by Linda Permann, in an old copy of Inside Crochet magazine, which I picked up at a market stall, but it’s also on Ravelry. I used Silk Garden Sock Yarn by Noro in blue, black, lime, and grey.

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