Lots of digital prints seemingly influenced by Peter Pilotto and Mary Katrantzou this year, though maybe that isn’t surprising, given how fashionable they are. I liked Weiyi Liu’s prints, influenced by African textures and colours, shown with matching ceramic pieces.
Sofia Drescher‘s shirts, scarves and jacket linings reminded me of looking at tissue samples under a microscope – there was something very cellular about them.
The highlight for me was one of the weavers. Katriona McKinnia’s pieces combined super-chunky wools and fine yarns in wonderfully textured and patterned pieces. Even better, her beautifully presented sketchbook contained samples and explained the thinking behind her work.
Kirsty Jean Leadbetter’s upholstered chair was another fine example of weaving, in shades of earthy green and yellow.
Kamonchanok Pookayaporn’s laser-cut garments reminded me of the work we did with paper cuts, and her use of puff binder to create a textured dress was interesting.
Kate Lawson‘s geometric dresses, inspired by reflections and patterns from London buildings, were also fascinating.
Cara Piazza showed a selection of pieces all dyed with organic matter sourced and foraged in London, including squid ink, onion skins, red wine, strawberries and blackberries.
Cara Piazza Graduate Collection from Cara Marie on Vimeo.
Finally, a couple of garments by Chloe Phelps appealed to me because she used itajime shibori techniques to dye knitted trousers and felt skirts.
The Chelsea College of Art and Design BA Show runs until Saturday 23 June.
Flextiles 
wonderful