I’ve blogged previously about the marks left on masking tape when it’s used as a resist for shibori dyeing.
When I was at Cally’s summer school, I sometimes taped bits of paper onto the arashi tubes to prevent old indigo stains from marking the clean fabric. When removing the fabric after dyeing, I was again struck by the patterns left on the paper and tape, some of which I collected for my sketchbook:
So I taped a whole sheet of paper to an arashi pole before securing the fabric on top, wrapping and dipping. I used indigo vats of two different concentrations, and added extra wrapping between dips. I didn’t scrunch the fabric.
Here are the results on the fabric and the paper, side by side, with the fabric on the left and the paper on the right:
Obviously, the paper is paler, as the fabric on top acted as a resist. But it also has some interesting crinkle marks, which are quite mokune-like.
I think there is plenty of scope for more experiments here, with different fabrics and papers. However, if I want to make larger pieces in this way without pleating or scrunching the fabric, I definitely need some deeper vats and fatter pipes!