I do realise that by writing a post about another workshop so soon after returning from mud resist printing in Jaipur I am giving the impression of having nothing better to do than flit around the world attending whichever workshops I fancy, without having to worry about mundane matters such as earning a living. I wish! 🙂
In fact I booked this workshop on nuno felting for couture with Liz Clay at West Dean quite a while ago, after I was given some gift vouchers by some very generous friends, Anne and Lucy, for a significant birthday. The mud resist workshop, by contrast, was tacked on at the last minute to a holiday in India that had already been planned. The timing was unfortunate, but hey – you have to grab these opportunities when they arise!
So the last five days I have spent with Carol, my fellow felter from Women of the Cloth, in the bucolic surroundings of West Dean College in West Sussex. Of the 50 or so people attending workshops in this period, only two or three of us had never been before – and I can see why people return over and over again. The facilities are great, the food is plentiful, the bedrooms are comfortable, and the tutors know their stuff.
Liz Clay is a well-known felter who has produced fabric for Givenchy, Balenciaga and Stella McCartney, among others. Her book on nuno felt was one of the first I devoured when I first started felting at Morley College, so it was great to attend a workshop with her in person.
There were seven of us on the course, with varying levels of felting experience. We started by making felt or prefelt samples and cutting shapes using templates provided by Liz. We then stitched these together and felted further (if using prefelt). Depending on the thickness of the felt and the shape of the templates, the result could be a vessel or bag, or an elegant floaty scarf.
We also looked at other ways to add texture and movement, both through pleating prefelts and folding and crumpling fabric before nuno felting.
After making a pleated sample I was noticed that when it was rolled up it resembled an oyster mushroom – perfect for an exhibition I am working on (details in a later post).
So I worked up a section of a sample neckpiece, which I then adapted before making the finished piece. The part that goes around the neck is inspired by bracket fungus, while the “clasp” is a toadstool. 🙂
I now have something to wear for the private view, even though I haven’t made the work for the exhibition itself yet. Nothing like putting the cart before the horse! 😉
Our most mature student, Dorothy, also chose to make a pleated scarf, doggedly felting and stitching four metres of fabric! At one stage everyone joined in to help her get it finished.
Just time for a final group photo wearing some of our creations before heading home! One student, Jeanette, had to leave early, so is missing from the photo.
And now it really is back to the real world, nose to the grindstone! 😦