More art shows

It’s tiring, this art lark. 🙂 Yesterday was certainly full-on, with two student shows during the day and then open studio visits in Camberwell in the evening.

I started with the Textiles Foundation exhibition at Morley College, as it was close to me and close to my heart. The first thing I saw was a window display of rust and indigo stitched scrim vessels – part of Gav Ross Belton’s Imperfect Beauty display. Please forgive the imperfect photo below, with its pesky reflections!

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Inside was a whole array of his further experiments, using rust and indigo on materials such as paper, scrim, silk and muslin. Some had echoes of Alice Fox, another artist whose work I admire.

I also liked Alison Ripley’s structured felt and stitchwork, inspired by cellular structures.

There was more felt and stitching in Alexandra Anderson’s scarves resembling the texture of melon skin.

And Petra Mavsar’s printed wallpaper and fabric had pleasing symmetries that looked to be based on bird of paradise flowers.

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Natasha Hanckel-Spice’s Code Knit played with the idea of binary code translated into machine knitting with wire and wool, in contrasting colours – another one that was tricky to photograph!

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The Textiles Foundation exhibition runs at Morley Gallery until 2 July.

After lunch with Women of the Cloth it was off to the RCA Textiles show. As ever, the weaving section was especially strong. I particularly liked Wuthigrai Siriphon‘s samples made from recycled PET bottle yarns and polyester combined with silk, paper, cotton, mohair and wool.

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The machine knitted garments using dip-dyed yarns by Jessica Leclere were very effective.

Jeehyun Kil used more unconventional plastic and metal tubes to create 3D geometric forms and nets that are flexible enough to drape and change shape.

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In a similar vein, Yue Wei creates bags and other structures combining materials such as perspex, leather and resin.

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Carly Mikkelsen, by contrast, used more conventional textile materials in unconventional ways- for example, by joining strips of thick layered felt.

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Finally, I loved Amelia Gibbs‘ ethereal fabric collages combining pleated, stitched an shredded silk with feathers and crystals.

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The RCA show runs until 5 July.

Then last night we did the rounds of some of the Camberwell open studios taking part in Camberwell Arts Festival. So much going on, too much to mention – you can see the full list here. But here are a few of my favourites.

Pauline Amphlett Prints

Gabriela Szulman Art

Tony Blackmore

Liz Charsley-Jory

Rafael Atencia Design

The Camberwell Arts Festival ends tomorrow.

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