Week 6 of lockdown and my creative mojo has gone walkabout. When I look back on the past five weeks I can see I’ve tried a lot of new ideas and materials. By comparison, this week has mostly been about collecting materials and honing familiar techniques.
The weather hasn’t helped. April in the UK has been the sunniest month on record, and the lockdown finally goaded me into getting my bike fixed (bike shops remain open). So I’ve been getting more of my daily exercise on two wheels, discovering the delight of relatively quiet roads in the city.
I’ve also been out gathering materials. The one new thing I did try this week was making cordage from dandelion stalks. Much to ESP’s horror, I failed to remove all the dandelion heads before hanging the stalks up to dry in the garden. So I may not have to go too far to gather dandelions next year! 🙂
Once the stalks were dry, I sprayed them with water to rehydrate before twisting into cordage.
I’m fascinated by the dried dandelion heads left over – they remind me of miniature jellyfish.
I’ve also been gathering dying daffodil leaves for more cordage and coiling. It made me reflect on how things have changed. Four years ago I was obsessed with collecting the dead flowers to dye with; now I’m more interested in the foliage!
I still do some dyeing, mostly with indigo, so I’ve been shibori stitching some recycled items ready to go into the next vat.
I’m currently working on a fiddly coiling project for my City Lit course, which involves lots of sampling. I’m not ready to talk about that yet, but for relaxation I made another coiled bowl from sash cord and wool. Unlike the coiling for City Lit, it’s something I’m able to do while watching TV (another activity I’m doing rather a lot of!).
Talking of shibori, this week’s kimono from the V&A exhibition is a modern garment made in 2019 by Yamaguchi Genbei, decorated with a dramatic depiction of Mount Fuji.
Made from machine-spun hemp, this summer kimono was part of the Majotae project, which aimed to produce hemp on a commercially viable scale for clothing, as it is particularly suited to the Japanese climate.