Crop at Sarah Myerscough Gallery

Happy new year! My first exhibition visit this year was CROP at the Sarah Myerscough Gallery in south London – a great start.

The exhibition focuses on artists who work with natural materials and traditional craft skills, combined with concern for the environment.

I was initially attracted by the inclusion of work by Tim Johnson, whose exhibition Lines and Fragments I have previously reviewed. More of his fabulous Keeping Time vessels were on show here.

keeping time by tim johnson keeping time by tim johnson

There were other familiar names too. Laura Ellen Bacon’s buff willow bench took pride of place in the window.

muscle memory by laura ellen bacon

Diana Scherer grows textiles from plant roots – her work was featured in the V&A’s Fashioned from Nature exhibition a couple of years ago.

interwoven no 4 by diana scherer

Of the artists that were new to me,  Naoko Serino stood out for her ethereal felted jute sculptures.

rooted by naoko sorinodetail of rooted by naoko sorinoomoi by naoko sorino detail of omoi by naoko sorino

Soojin Kang uses jute too, along with silk and linen, in her wrapped, bound and knotted work.

Pod by soojin kanguntitled by soojin kang

I also loved Caroline Sharp’s delicate pods  made from willow and birch retaining the catkins.

seed capsule by caroline sharp

Not technically part of the exhibition but certainly worth a look are a couple of ceramic vessels by Luke Fuller, who makes layered moulds which burn away during firing, leaving textured pieces reminiscent of rock fractures and geological faults.

luke fuller

CROP runs at the Sarah Myerscough Gallery, The Old Boathouse, 1 White Hart Lane, London SW13 0PX until 31 January 2020.

Wandsworth Artists’ Open House 2019

I’m delighted to be taking part in Wandsworth Artists’ Open House for the first time this year with my friend Emma Gibson. The event runs over the first two weekends in October.

Emma makes beautiful handmade contemporary jewellery.

She works mainly in silver, combining traditional and experimental techniques to produce bold pieces, which often retain the texture of the hammers used to forge them.

Emma allows for an element of chance in her work so that even if a design is repeated each piece remains individual.

I will be showing and selling some of my basketry work – another first for me!

I will also have my latest batch of upcycled indigo and ecoprinted accessories and clothing.

When: 5-6 October and 12-13 October, 11am-6pm
Where: 46 Drakefield Road, London SW17 8RP

Hope to see you there!

Basketry – function and ornament at Ruthin Craft Centre

Practically everyone who is anyone in the world of British basketry is featured in “Basketry – function and ornament” at Ruthin Craft Centre in north Wales, so it’s well worth making the effort to visit this wonderful, inspiring exhibition, curated by Gregory Parsons.

As the title implies, the show includes everything from beautifully made functional baskets to pieces whose impact relies more on form than function. I must admit that I tend to be drawn towards the latter in the selection below.

Alison Dickens
Anna King
Anne Marie O’Sullivan
Clare Revera
Dail Behennah
Jane Crisp
Joe Hogan
Laura Ellen Bacon
Lise Bech
Lizzie Farey
Lois Walpole
Maggie Smith
Mandy Coates
Mary Butcher
Mary Crabb
Polly Pollock
Rachel Max
Sarah Paramor
Stella Harding
Tim Johnson

“Basketry – function and ornament” runs at the Ruthin Craft Centre until 13 October 2019.

As you  may have gathered from all these recent posts on basketry, it’s an area in which I have developed quite an interest. So much so that I have signed up for the two-year City Lit basketry course. This is quite a commitment, but I’m really looking forward to starting on 19 September.

Look out for a few more basketry posts in future! 😉

Lines and Fragments by Tim Johnson

tim johnson little bags

“Understanding particular properties of particular plants during identification, harvest, processing, selection and finally making not only equips ourselves for making tasks in hand but also gives us a deeper connection to place and its complexity.”

The artist and basketmaker Tim Johnson has spent the past 25 years exploring the relationship between place and material, as this exhibition at the Crafts Study Centre in Farnham makes clear.

Take the series of 42 little bags simply hung in three rows on the wall (and I would happily take them, every single one). It’s a fascinating display of sampling – the same technique with different materials, or the same materials with different techniques. Each one is absorbing in its details and range of possibilities.

His 2D Lines and Fragments series also incorporates found objects as well as earth pigments, dried herbs and fruit.

tim johnson lines and fragments

And his Curve series moves on with willow and earth pigments to develop the 3D form.

The Cortina works play with light and shadow – I particularly like the use of dried bean pods here.

Another one used yellow plastic coated wire.

My favourite pieces were  the Keeping Time baskets.

I particularly loved the cross sections of the bulrushes when close up.

Tim lives just outside Barcelona with another basketmaker, Monica Guilera, and there were some collaborative pieces on show.

It was also interesting to see some of the sources of his inspiration, including a squashed lampshade found in the road. 🙂

Lines and Fragments runs at the Crafts Study Centre in Farnham until 31 August 2019.

Dale Chihuly at Kew Gardens

Glassmaker extraordinaire Dale Chihuly is back at Kew Gardens. Aptly titled “Reflections on Nature”, his 32 artworks are scattered around the gardens, glasshouses and galleries.

So many of the pieces resemble exaggerated natural forms, they look entirely at home among the wonderful lush greenery of Kew.

Alongside his works in the Shirley Sherwood Gallery of Botanical Art is a fascinating film where he explains that his work is all about pushing the boundaries of what can be done with blowing glass. There is also some heart stopping footage of him tossing some of his glass pieces into a river!

Pictures in this case definitely speak louder than words.

“Reflections on Nature” runs at Kew Gardens until 27 October 2019.

Prism Textiles “Fragility” exhibition

My first exhibition with Prism, the international exhibiting group of textile artists, is fast approaching. The theme is “Fragility”, and you can get a glimpse of the various ways this has been interpreted on the Prism blog.

My piece, called “One in Five”, was inspired by the effect we humans are having on our fragile environment: scientists at Kew Gardens estimate that one in five plant species are in danger of extinction due to activities such as intensive farming, deforestation and construction.

I have made five stylised seeds combining felt and paper yarn, to represent the fragility of the environment in general as well as their own precarious existence.

The five seeds loosely represented are sycamore (maple in US), dandelion, bean pod, physalis and sweet chestnut.

Sycamore seed by Kim WinterDandelion seed by Kim WinterBeanpod by Kim WinterPhysalis by Kim WinterSweet chestnut by Kim Winter

The hardest part was working out the best way to display them, as in the London gallery we cannot suspend things from the ceiling. Luckily, I managed to find a windfall branch with an interesting shape and lots of lovely lichen. This can be mounted on the wall with the seeds hanging from it.

One in Five by Kim Winter

All photos of my work by Owen Llewellyn.

Fragility runs at Hoxton Arches, Arch 402, Cremer Street, London E2 8HD, from 29 May to 9 June. The private view is on Tuesday 28 May, 7-8.30pm, to which you are all warmly invited!

Ghizlane Sahli at Sulger-Buel Gallery

To be honest, I’d never heard of either the artist or the gallery before visiting this exhibition. But a photo of Ghizlane Sahli’s work by the Sulger-Buel Gallery popped up on my Instagram feed, I followed the links, and a month later found myself tramping around the back streets of Borough in south London.

HT058 by Ghizlane Sahli
HT058

Ghizlane Sahli is a Moroccan artist who originally trained in architecture. The title of her first solo show in London, “Histoires de Tripes – Chapter II” is a literally visceral exploration of the human body.

HT066 (triptych) by ghizlane sahli
HT066 (Triptych)

In English, “tripe” can also mean “rubbish” – so it is fitting that Sahli uses discarded materials in her work. Plastic bottle tops and tubes are wrapped with silk yarn to form “alveoles” and then arranged on top of chicken wire in the shape of human organs.

HT062 by ghizlane sahli
HT062

HT050 by ghizlane sahliHT050

The colour and lustre of the silk yarn changes, depending on how it catches the light, so that white looks like silver one minute and mushroom grey the next.

Sahli works with local artisan women to create the alveoles for her work.

HT VOLUME by ghizlane sahli
HT VOLUME
HT070 by ghizlane sahli
HT070

Drawings of cellular structures, some with added embroidery, are also on display.

Histoires de Tripes – Chapter II runs at the Sulger-Buel Gallery until 7 May.

2 for 1 entry to Contemporary Textiles Fair 2019

Next weekend I’ll be back at one of my favourite events – the Contemporary Textiles Fair at the Landmark Centre in Teddington.

In a converted church you’ll find a particularly strong line-up, selling everything from conceptual stitched pieces to wonderful homeware and wearable art pieces. There are also some interesting workshops – I would have loved to do the sculptural spoons but sadly will have to mind my stall! There’s a full catalogue here of the exhibitors and events.

Normal admission price is £4, but if you show the following flyer on your phone at the door, you can get 2 for 1 entry!

2 for 1 flyer

One of the other exhibitors at the Contemporary Textiles Fair is Romor Designs, who is also taking part in the Japanese Textile and Craft Festival at Craft Central this weekend. To be honest, the event is smaller than the word “festival” might suggest, but the quality is very high.

Rob Jones of Romor Designs is one of the two main participants, and he has a splendid display of indigo shibori, sashiko and katagami work.

romor designs shibori romor designs shibori

The other main demonstrator is Janine of Freeweaver Saori Studio. Saori weaving was founded in 1968 by Misao Jo, a Japanese weaver, and is more about free expression than perfect regularity.

saori weaving demo

One of Misao’s sons created the saori loom, which comes with a prebuilt warp, so setting up takes around 20 minutes rather than the best part of a day. Even more ingenious (to me), you can remove a work in progress from the loom to let someone else use it, and then replace it afterwards to carry on weaving. Thus the looms are perfect for studios where people can rent a loom for a couple of hours and then come back next week.

Janine had some lovely examples of her work, which often incorporates strips of fabric or ribbon as well as yarn.

saori weaving saori weaving saori weaving

There is also a handful of other exhibits, including the following.

Indigo block printed garments by Harumi Ikegame
Katazome stencil work by Sarah Desmarais
Dorozome (mud dyeing) by Yukihito Kanai
Kakishibui (persimmon dye) by Iris de Voogd
Kintsugi inspired work by Ross Belton

The Japanese Textile and Craft Festival is at Craft Central, 397-411 Westferry Road, London E14 3AE. It’s open today and tomorrow, 12-5pm.