Merry Christmas 2017

Wishing all my friends and followers, old and new, a very merry Christmas and a textile-filled 2018!

 

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Just a Card

Sorry about the radio silence – I’ve been spending too much time in front of a screen building websites and not enough time by the indigo vat! 😦

I’ve just dropped in to let you know that the fab team at Just a Card are featuring me on their blog this week.

If you haven’t heard of Just a Card, it’s a campaign set up by artist and designer Sarah Hamilton to encourage people to buy from independent designer makers, galleries and shops by reinforcing the message that all purchases, however small (even “just a card”), are so vital to the prosperity and survival of small businesses.

The name came about after Sarah read about a gallery that had recently closed, with a quote from the owners saying: “If everyone who’d complimented our beautiful gallery had bought ‘just a card’ we’d still be open”.

All the team are volunteers, and it’s their enthusiasm and dedication to the cause that has made the campaign such a success. Particular thanks to Kate Marsden, the Just a Card blogger, for featuring me on the site this week.

You can support the Just a Card campaign by following and sharing their posts on social media, adding their logo to your blog or site, and talking to other makers and customers.

Thank you!

 

Metal and textiles taster

Last weekend ESP and I attended a workshop together for the first time. The workshop, held at Morley College’s Pelham Hall, was billed as a one-day “Textile Metal Taster”.

Pelham Hall is an amazing converted Victorian chapel equipped for clay modelling, wood and stone carving as well as metalwork (there’s even a forge). ESP has done stone carving courses there, but this was a first-time visit for me.

Pelham Hall

I was expecting to be working with wire, mesh and textiles, but this was very much an introduction to proper basic metalwork techniques. We started with cutting, using tin snips and air tools. I had a few problems with the air tools so stuck to cutting by hand with the snips, where I felt I had more control.

Then we did a bit of beating with hammers, hole punching and soldering. I cut a circle of steel, punched a circle in the centre and pierced some holes.

As you know, I hate waste, so I then used the spot welder to attach all the tiny metal circles produced by the hole puncher.

One of the tutors said the tiny bowl on the right reminded him of a dalek!

In the afternoon we had a go at heating metal so that it changed colour – you can get some lovely rainbow effects, like oil patches on the road after rain. Naturally, I spot welded some more circles onto mine!

I didn’t do any proper soldering, but played about with the solder to produce different textures instead.

While I produced various small samples, ESP combined lots of different techniques in one piece. This included bits of metal that were left over after I had cut out more spots!

He also played around with a piece of flattened copper tubing, heating it with flux and punching it.

I really enjoyed the workshop – the tutors were enthusiastic and encouraging, and it’s surprising what beginners can produce in a day. One of the students made a bird bath; another made some angel fish.

However, I did think that the textile content was fairly token. There was a pile of fabric scraps, and we were shown how to rivet and attach textiles to metal by soldering with a copper strip. Rather than treating metal simply as a way of holding up textiles I guess I was expecting the two media to be combined in a sculptural piece. I realise this is a lot to ask in a day, but a collaboration with Morley’s excellent textiles department could produce some interesting results.

There was a box of embroidery threads and ribbons there, so I did make an effort to introduce a textile element to one of my samples! 🙂

I’m also thinking about how to incorporate some of my samples into felt, so there may be more to come on this!

Return from Mexico

Brrrr – I’m back!

Actually I returned from Mexico last week but was shocked into hibernation mode by the simultaneous sudden drop in temperature and need to gear up for Christmas markets on both days last weekend.

To be honest I was also a bit overwhelmed by the whole trip. The International Shibori Symposium was extremely intense, with workshops, talks and presentations. I learnt an incredible amount and met some very interesting people.

And my holiday was also pretty busy, with more fantastic textiles, markets and extraordinary pre-Hispanic cultural sites to fit in.

So there will be several posts about Mexico to come over the next few months.

In the meantime, while I catch my breath, here are some images of a dead leaf – what else? – that I found on a tour of the wonderful Ethnobotanic Gardens in Oaxaca.

mexico-dead-leaf-1 mexico-dead-leaf-2 mexico-dead-leaf-3 mexico-dead-leaf-4 mexico-dead-leaf-5 mexico-dead-leaf-6 mexico-dead-leaf-7

I almost couldn’t bear to leave it behind, but I knew that even if it somehow miraculously survived the trip back to the UK, it was illegal to import it in case of disease.

So I took loads of photos instead – a piece of natural shibori. 🙂

Textile Alchemy at the WAC Gallery — Modern Eccentrics

I went to the PV of Textile Alchemy on Wednesday, but Johnny’s photos are miles better than mine! So I’m just reblogging and saying that you can still catch the show tomorrow (didn’t realise it was only up for a few days) at Waterloo Action Centre, 14 Baylis Road, London SE1 7AA.

For once, I’m not going to write very much about this wonderful show, the end of year exhibition of the Advanced Textile Workshop at Morley College. This is because Zoë Burt, the tutor has summed things up so eloquently, and done my job for me. ‘Students have had exciting opportunities to creatively develop their professional textile […]

via Textile Alchemy at the WAC Gallery — Modern Eccentrics