The latest work from Indian film makers Nidhi Kamath and Keya Vaswani maintains their previous high standards.
The first one describes the philosophy behind Anantaya, the company that commissioned these films. It talks about the importance of modern designers helping traditional craftworkers in India to extend the scope and reach of their work.
The other one looks at metalworkers in Sultana, Rajasthan. It includes a fascinating demonstration of making a metal vessel – I wonder whether a similar technique could be applied to felt? 🙂
Every so often I get requests from people telling me about their work and/or asking if I can feature their work on my blog. Last week I had two such emails, but I reacted very differently to them both. I will discuss one here, and the other in another post.
The first email was from Nidhi Kamath, a graduate from the Indian Institute of Crafts and Design in Jaipur. She, along with her friend Keya Vaswani, had studied craft product design but for their final graduation project had made a film on craft called Threads of Banaras, about silk weaving in Banaras.
Nidhi says: “This inspired us to make more films on crafts, as films as a medium for crafts was not explored much. Films are a strong and quick audio visual medium to connect with people. Also we feel that if we lose a craft, we lose a culture, so we try to capture the story of craft, its people and the culture.”
She sent me a link to Threads of Banaras and to two other films they have made since – one on block printing and one on thathera (metal sheet beating) – and asked me what I thought of them.
Well, I was charmed, especially by the one on block printing (of course!). Nidhi explained that the film is part of a project to make 10 films on craft for a design studio called Anantaya in Jaipur: “This would promote craft and bring its people and process forward so that people can know more about it and also contribute towards its preservation in their own way.”
Anantaya is run by designer Ayush Kasliwal and his wife Geetanjali, and their aim is to sustainably create “an interesting mix of luxury objects by engaging artisanal skills rooted in age old crafts culture and tradition”.
India certainly has no shortage of crafts culture and tradition, and I think it’s an admirable project to show the work of the artisans who produce such “luxury objects”.
And good luck to Nidhi and Keya – your films are lovely, and I look forward to seeing the rest of the series!