Lines and Fragments by Tim Johnson

tim johnson little bags

“Understanding particular properties of particular plants during identification, harvest, processing, selection and finally making not only equips ourselves for making tasks in hand but also gives us a deeper connection to place and its complexity.”

The artist and basketmaker Tim Johnson has spent the past 25 years exploring the relationship between place and material, as this exhibition at the Crafts Study Centre in Farnham makes clear.

Take the series of 42 little bags simply hung in three rows on the wall (and I would happily take them, every single one). It’s a fascinating display of sampling – the same technique with different materials, or the same materials with different techniques. Each one is absorbing in its details and range of possibilities.

His 2D Lines and Fragments series also incorporates found objects as well as earth pigments, dried herbs and fruit.

tim johnson lines and fragments

And his Curve series moves on with willow and earth pigments to develop the 3D form.

The Cortina works play with light and shadow – I particularly like the use of dried bean pods here.

Another one used yellow plastic coated wire.

My favourite pieces were  the Keeping Time baskets.

I particularly loved the cross sections of the bulrushes when close up.

Tim lives just outside Barcelona with another basketmaker, Monica Guilera, and there were some collaborative pieces on show.

It was also interesting to see some of the sources of his inspiration, including a squashed lampshade found in the road. 🙂

Lines and Fragments runs at the Crafts Study Centre in Farnham until 31 August 2019.

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Diana Harrison at Crafts Study Centre in Farnham

I first came across Diana Harrison’s work at Cloth and Memory {2} at Salts Mill in Bradford three years ago. Her contribution to the exhibition was a series of handkerchiefs dyed black and then discharged and laid out like flagstones on the floor in subtle quiet shades of charcoal, cream and peachy pinks.

diana harrison handkerchiefs

The handkerchiefs have returned as part of a solo exhibition at the Crafts Study Centre in Farnham, part of the University for the Creative Arts, where Diana teaches. Diana Harrison: working in cloth includes samples of her work from the 1980s up to the present.

The Textile Society organised a tour of the exhibition with Diana herself last week, and as it was the day before I was exhibiting at Thread at Farnham Maltings I went along.

Diana started off with an embroidery degree at Goldsmiths with Constance Hawker before going on to the Royal College of Art to study printed fabrics. Here she developed her technique of masking out areas of fabric before spraying them with dye – one of her dresses featured in Vogue.

She continued this at Studio 401 ½, where she made lots of upholstery fabric. After experimenting with flicking and splattering dyes she moved on to dyeing fabric black and then discharging it and stitching, which brought her fame in the quilting world – her work has been bought by museums in Japan and the US, among others.

Diana Harrison box

One of her best-known pieces was Box, made for the Victoria & Albert Museum exhibition on quilts in 2010. This exhibition includes only the “lid”, but you can see the whole piece and hear about the context in the video below.

Some of her most recent pieces, Pillowcases, use a similar technique, stitching fabric together before dyeing, discharging and then unstitching and sometimes overprinting with pigment.

Diana Harrison pillowcases

Diana’s fascination with the way things are constructed is evident from the selection of found objects on display. A self-confessed hoarder, she is forever picking up roadside rubbish or coastal debris, including bits of old tyre, tape, coffee containers and envelopes, finding points of comparison between squashed frogs and Japanese clothing.

Diana Harrison found objects Diana Harrison found objects

One of my favourite pieces was a series of six strip-like panels made for the Lost in Lace exhibition in Birmingham in 2011. Each panel represents a decade of her memories – delicate networks of thread, cloth fragments and dog hair suspended on grids of black pins.

Diana Harrison lost in lace Diana Harrison lost in laceDiana Harrison lost in lace

Other recent work includes similar panels with ghostly images of dancers behind, made for an exhibition in Poland, and balls of dates, where all the dates she has worked at Farnham are printed on a piece of fabric and then moulded into a ball.

Diana Harrison A4Diana Harrison date ball

After the talk we were also lucky enough to see a slide show of her pieces in context, as well as some of her sketch books and a sample collection that we could handle. Diana also kindly showed us her collection of commemorative hankies and Japanese boro collection.

Diana Harrison sample Diana Harrison sample Diana Harrison sampleDiana Harrison hanky collectionDiana Harrison boro collection

Diana Harrison: working in cloth runs at the Crafts Study Centre in Farnham until 8 October.