I thought I’d already posted about these events but it was actually on my website and newsletter, so sorry about the short notice!
Next week I’m running a couple of workshops for beginners on felting and ecoprinting. The venue is The Old School, School Lane, West Kingsdown, Sevenoaks, Kent TN15 6JN, just off the M20. For more information and to book, please contact Judith Yarnold, email@example.com, 01474 852669.
Introduction to felting
Tuesday 21 August, 10am-4pm
Felt is one of the oldest known fabrics in the world. It’s made by wetting layers of wool roving and rubbing and rolling with soap until the fibres interlock to form a robust fabric. This one-day workshop introduces you to the basic felting technique.
In the morning you will start by making a flat piece of felt to learn the basic technique. You can decorate it with yarn, silk and other embellishments.
In the afternoon you will make a 3D object (a small bowl) by felting around a resist. Again, you can decorate this in various ways.
We provide: All materials, but please bring an old towel and a plastic bag to take your work home with you
Numbers: Min 5, max 10 in class
Cost: £60 to be paid up front + £6 for materials to be paid in cash to the tutor on the day
When: Tuesday 21 August, 10am-4pm. There will be an hour’s break for lunch. There is a small shop that sells food about 5 minutes’ drive from the venue or you can bring your own.
Introduction to ecoprinting workshop
Wednesday 22 August 2018
Ecoprinting is also known as botanical contact printing or bundling. It involves making a bundle of leaves in fabric and steaming or simmering in water or dye. In these conditions, certain plants leave their imprint on the fabric.
We will be working with silk in this workshop, as it is one of the easiest fabrics to use with this technique. In the morning we will go on a foraging walk to look for leaves and other foliage to use for ecoprinting. Then we will come back and make a couple of small samples using iron as a mordant. They will steam or simmer during our lunch break.
In the afternoon we will unbundle the samples to see the results and then lay out a larger piece (a silk scarf). While this is steaming we will experiment with hapazome (flower pounding), another method of using plants to make marks on fabric.
We provide: All materials, but please wear old clothes and bring an apron
Numbers: Min 5, max 10 in class
Cost: £60 to be paid up front + £15 for materials to be paid in cash to the tutor on the day
When: Wednesday 22 August, 10am-4pm. There will be an hour’s break for lunch. There is a small shop that sells food about 5 minutes’ drive from the venue or you can bring your own.
Spend the weekend browsing antique, vintage and world textiles as well as yarns, and makers’ suppliers at the ‘home of quilts’ in the South West. I will be bringing my latest batch of upcycled indigo shibori and ecoprinted garments and accessories.
At the beginning of January I launched a range of new scrap bags to try to clear out some of my stash of indigo shibori and ecoprinted fabrics. I’m pleased to report that they have been very popular – I’ve already had to restock the indigo bags.
However, some scraps were too small to include in the bags (I wanted the minimum size to be 15 x 15cm (6 x 6 inches)). So I thought I would use them to make some cards. I ordered some card blanks with windows and stuck in some of the smaller pieces of fabric.
The card below was made from a cotton/silk upcycled top that I dyed with indigo but didn’t like the result. Most of the garment I tore up to put in the scrap bags but I thought this stitched detail from the neck area worked well in a card.
However, there was a problem with the iron on some of the ecoprinted fabrics leaching out through the wet glue. You can see this in the top left-hand corner of this card:
And also below the bottom left-hand corner of the panel on this card:
The glue I used was slightly diluted PVA, and I pressed the cards between baking parchment while they were drying to avoid them crinkling up.
Does anyone have any thoughts on how to avoid this problem, eg by using a different glue?
Otherwise I might have to stick to just making indigo cards.
I’ve now got a good crop of flowers on my Japanese indigo, but before they all started developing I did another harvest of the leaves – almost 200g in all.
Unlike last time, I didn’t do any aqualeaf indigo, as I wanted to see if I could get a stronger colour with the reduced indigo, so I needed every leaf I could get! 🙂
This time I overdyed a linen top that I had previously ecoprinted with peony leaves. It felt a little too minimal, so I thought that a pale indigo background might lift it a bit.
I dipped the top three times, leaving it to oxidise in between. The result was slightly darker than last time, but still quite pale and delicate.
I’m drying the flowers to get seed for next year’s crop, but I’m also going to see if any of the plants survive the winter in my London garden. They are still growing – but it has been a very mild autumn so far. I’ll have to see what happens when the frosts arrive!
I’m very excited to be one of the exhibitors at Thread…A Festival of Textiles at Farnham Maltings on Saturday 24 September. I’ll be selling my latest indigo shibori and ecoprinted scarves, along with a selection of upcycled hand dyed indigo and ecoprinted garments. And the infamous bargain bucket of samples and seconds may also be putting in an appearance as I get ready to clear the decks before Christmas!
With around 45 exhibitors alongside a programme of talks, workshops and demonstrations, it promises to be a great day out for textile lovers.
I’m currently working on a very special ecoprinting project, the details of which I can’t reveal yet.
But it’s meant I’ve been spending time experimenting and sampling, and I can’t resist showing you some of the results. I’m particularly pleased with some of the prints given by garden weeds, most of which I never knew the name of. I now have to stop ESP from weeding the garden! 😉
The photos below include rose and cotinus leaves as unifying elements, each combined with a different plant.
The sampling has led to some other new discoveries, like this vibrant green print from Robinia pseudoacacia.
The colour didn’t really fit in with the project, but I’ve used the leaves with sycamore seeds and dock flowers on a scarf now in my Etsy shop.
And here are some other samples that I won’t be using in this project but may use in future.
A few months ago I mused about whether I should learn how to use Photoshop so that I could get some of my designs digitally printed rather than making everything by hand. This would enable me to make larger pieces at more acceptable prices.
This week I finally got round to doing a two-day class on Photoshop for beginners at Morley College. It was a very popular class, with most of the participants wanting to learn Photoshop to improve their photos or restore old prints. And it turned out that I already knew the tutor, Estelle Vincent, as we had been located next to each other at Lambeth Open at the Portico Gallery a few years ago. Small world! 🙂
We covered a lot in two days, but what was most useful for me was learning about layers, filters and flipping/rotating to produce repeat patterns. Here are some of the patterns I created.
The first was a section of an ecoprint of eucalyptus on silk.
After changing the colour with a filter and flipping and rotating:
A similar process starting with a section of sycamore ecoprint:
Then I experimented with some indigo shibori. I didn’t bother changing the colours with filters this time.
It’s fascinating to see how different the patterns look when repeated on a larger scale, which is something I could never achieve by hand. And using different filters to create different colourways adds even more potential.
Please cross your fingers for good weather this coming weekend, as I’ve got two outdoor events coming up!
On Saturday I’m taking part in the Abbeville Fete, a great mix of street stalls, fancy dress parade, live music, dog show and other entertainment that also raises funds for charity. It will be your first chance to see my new range of upcycled indigo shibori tops, along with ecoprinted tops and my latest batch of scarves – some examples below.
I’ll be sharing a stall with Kes Young of Heart in Art Workshops, who makes wonderful mosaics, so it should be a great combination of colour and texture!
The Abbeville Fete is on Saturday 25 June, 12-6pm.
Then on Sunday I and my fellow felter Carol will be donning our Women of the Cloth hats and running free drop-in felting sessions at the Brixton Windmill Festival. The theme of the festival this year, the 200th anniversary of the windmill, is “trades and professions”, and as well as us felters there will be a furniture maker, blacksmith, bricklayer and of course millers and bakers.
Brixton Windmill Festival is on Sunday 26 June. It starts with a parade from Windrush Square at 1pm, marching up Brixton Hill to Brixton Windmill for the festival in Windmill Gardens, 2-4pm.
It’s been a busy Christmas selling period so far. My two weeks with Women of the Cloth at Sprout Arts went really well, with my new line of upcycled ecoprinted clothes and accessories proving very popular!
Crafty Fox is well known for running very popular, well-organised craft markets, so I’m looking forward to my first time as a stallholder, along with 70 other designer-makers. I also love the Geffrye Museum, which explores how the home and fashions in interior decoration have developed over the years. There’s a candlelit concert on the same evening as the market, so the atmosphere should be suitably festive!
As well as my ecoprinted items I’ll also have lots of indigo shibori scarves, but not much felt, due to limited space.
This will be my last market before Christmas, but some of my indigo scarves will be available at Diverse Gifts until 4 January, and there’s always my Etsy shop (this will be closed on Thursday while I’m at Crafty Fox).
The Crafty Fox Night Market is at the Geffrye Museum, 136 Kingsland Road, London E2 8EA on Thursday 17 December, 4-9pm.