Felting in France

Apologies for the long silence – I had a sudden rush of website work before I headed off to Acheres, just outside Paris, for a five-day felting workshop with Maria Friese and Ariane Mariane. Both these felters are German, living in France, and the students were mostly French, but also included one Swiss, one Belgian, one American (who had lived in Acheres for 20 years) and two Brits – Abigail Thomas of Felt meets Cloth and me.

The five days was split up into two sessions of two days and three days, and students could mix and match, working with one tutor for all the days or spending two days with one and three days with the other. I elected to stay with Maria for all five days, as her work has a really organic feel that appealed to me. As we got talking we discovered other mutual interests in origami and pitcher plants, so I think I made the right choice!

We spent the first two days making a sampler to practise techniques – attaching spikes, and using resists and prefelts to create surface designs.

Maria's sample
Maria’s sample

Maria suggested making a rectangular sample, but I opted for a circle, which was a bit challenging when it came to squeezing in as many elements as possible!

No - it's not a blue pizza, it's my sample!
No – it’s not a blue pizza, it’s my sample!

As usual, it was fascinating to see the different interpretations of the same techniques.

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The other group working with Ariane Mariane made sample pieces of jewellery in the first two days, and then we all got together to admire each other’s work and compare results.

Image copyright Ariane Mariane
Image copyright Ariane Mariane
Image copyright Ariane Mariane
Image copyright Ariane Mariane

For the next three days we worked on a project incorporating those techniques. Those of us with Maria made a vessel; those who worked with Ariane could choose to make a hat or a bag. Maria and Ariane had brought in lots of samples to inspire us!

Vessel by Maria
Vessel by Maria
Vessel by Maria
Vessel by Maria
Vessel by Maria
Vessel by Maria
Hat by Ariane, modelled by Monique (image copyright Ariane Mariane)
Hat by Ariane, modelled by Monique (image copyright Ariane Mariane)

Again, we started by making samples to calculate shrinkage, before moving on to the main piece. I got a bit obsessed by the flaps, so decided to try making a Chinese-style vessel adorned with these.

Sample to calculate shrinkage
Sample to calculate shrinkage
Work in progress
Work in progress
Finished vessel (with Maria in the background)
Finished vessel (with Maria in the background)

I also had a little time at the end to make another sample using one of the other resist techniques.

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Ours was a relatively sedate class – next door, we could hear the sound of bags and hats being thrown on the floor to help the shrinking process!

Finally, on the Friday evening, we held a small exhibition for friends, family and other visitors to come and see the fruits of our labours.

Student work
Student work
Student work
Student work
Student work
Student work
Student work
Student work
Maria's work - what we are aiming for!
Maria’s work – what we are aiming for!

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All in all, it was a fabulous five days of learning a lot from thoughtful tutors and making new friends. Highly recommended.

ESP amused himself by going into Paris every day and visiting as many museums as possible(19 plus Versailles in total!). He did so much walking that I think he must have strained a ligament in his ankle – he’s currently walking with a limp. 😦

We then headed down to the Dordogne to visit Joan, one of my sister Women of the Cloth, and her husband Anthony, who have a house there. We talked about the possibility of us running some workshops there next year – very exciting!

As the weather finally cleared up, we went back north for a couple of days in the Loire valley. We stayed in the extraordinary Chateau de Chemery, with a loom and spinning wheels in our room, and visited the stunning gardens of Villandry and  Chaumont.

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A felt planter at Chaumont!
A felt planter at Chaumont!

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Sadly, we were one day late getting home due to a faulty brake caliper, a long wait for the AA and a stupendous thunderstorm. But that doesn’t spoil a trip full of inspiration and excitement – can’t wait to get felting again!

The Point of the Needle at Hall Place

It hasn’t been a very creative time for me over the past couple of weeks. Too busy with my day job, earning money towards my next felting workshop – five whole days with Maria Friese and Ariane Mariane just outside Paris in a couple of weeks’ time. ESP is going to wander the streets of Paris (and no doubt stuff himself in fine restaurants at lunchtime) while I enjoy some fibre fun with a group of like-minded enthusiasts. I’m really looking forward to it!

So it was a relief to escape for half a day with my sister Women of the Cloth, Carol and Joan, to go back to Hall Place in Bexley for an exhibition by the New Embroidery Group (their website is currently being redesigned).

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Contradicting its name, the group was actually established more than 40 years ago. Its president for many years was Constance Howard, famous- among other things-  for her green hair, for establishing the embroidery department at Goldsmiths College, and for producing The Country Wife textile mural for the Festival of Britain in 1951.

The Country Wife by Constance Howard
The Country Wife by Constance Howard

The exhibition in the Stables Gallery was small but beautifully hung, with lovely views onto the lavender in the gardens beyond.

I particularly liked the works by Buffy Fieldhouse, who used a mixture of paint, stitch, paper and fabric – and rusty nails! – in her pieces.

Be What You Are I by Buffy Fieldhouse
Be What You Are I by Buffy Fieldhouse
Nailed It by Buffy Fieldhouse
Nailed It by Buffy Fieldhouse

I also liked the rhythms and movement of Liz Holliday’s contours and earthworks against the regular outlines of fields.

Past Present: Maiden Castle by Liz Holliday
Past Present: Maiden Castle by Liz Holliday
Past Present: Cissbury Ring by Liz Holliday
Past Present: Cissbury Ring by Liz Holliday

And the delicacy of Kathie Small’s herringbone stitch on paper was appealing.

Neurons by Kathie Small
Neurons by Kathie Small

Afterwards we strolled around the beautiful gardens and greenhouses, where I couldn’t resist the sculptural symmetry of the gorgeous succulents.

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I also have a bit of a current obsession with pitcher plants: one of the things that fascinates me is the way the stalk curls up from underneath – how does it keep the pitcher stable when it is full of liquid?

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Another spiralling plant that I’ve never seen before.

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And some wonderful woven hanging baskets where the furry roots of the ferns seem to form part of the structure.

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The Point of the Needle runs at Hall Place until Sunday 29 June (yes, I know, I know!). It then moves to the Oxmarket Centre for the Arts in Chichester, where it runs from 8 to 20 July.