To be honest, I’d never heard of either the artist or the gallery before visiting this exhibition. But a photo of Ghizlane Sahli’s work by the Sulger-Buel Gallery popped up on my Instagram feed, I followed the links, and a month later found myself tramping around the back streets of Borough in south London.
Ghizlane Sahli is a Moroccan artist who originally trained in architecture. The title of her first solo show in London, “Histoires de Tripes – Chapter II” is a literally visceral exploration of the human body.
In English, “tripe” can also mean “rubbish” – so it is fitting that Sahli uses discarded materials in her work. Plastic bottle tops and tubes are wrapped with silk yarn to form “alveoles” and then arranged on top of chicken wire in the shape of human organs.
The colour and lustre of the silk yarn changes, depending on how it catches the light, so that white looks like silver one minute and mushroom grey the next.
Sahli works with local artisan women to create the alveoles for her work.
Drawings of cellular structures, some with added embroidery, are also on display.