I wondered if I should call this post Semi-lockdown week 9, as the traffic in my part of London seems to have reverted to normal levels, and the fine weather has brought many more people out on the streets. But my situation remains the same, so I shall stick to lockdown for now.
After all the sampling for my coiled tortoise piece I’ve done in previous weeks, this week I’ve focused on actually making it. Having established that linen thread was my material of choice, I ordered some in colours closer to the radiated tortoise and set to, making 10 individual scutes.
Then I joined them all together.
That’s as far as I’ve got this week. Next I have to make the overall border and then start thinking about the base.
I realise that I forgot last week to post the link to the online Prism exhibition In Search of (Im)Possibilities. The exhibition has been divided into three themes – environment, materials, and place – and each day a post is published featuring four or five artists relevant to the theme. Here is a link to all the posts so far. My work is featured in Chapter 2, Day 1 – Materials. Click on an image to see the artist’s statement.
Cabin fever must be getting to me – I’ve started coiling household objects! I had a moulded cardboard tray used for holding pears, which I cut up into individual sections. This is the result of coiling the first one.
I did consider stitching into the cardboard itself, but decided to go for the minimalist look, especially as the bottom is quite textured (it looks like an avocado).
Over on Instagram, I was inspired by Suzie Grieve’s amazing rhubarb baskets to try making some rhubarb cordage. I used fresh rhubarb peelings, which was a mistake. They were very wet and slippery to work with, and they shrank a lot when they dried.
I rather like the open helical structure of the dried cordage, but in this case it wasn’t what I was after. Another lesson learned!
The series of straw vessels for Prism continues. This one is a combination of cobbling and coiling (coibbling?). Cobbling, as I understand it, is bunching soft material together with random stitching.
Only a week after planting, my Japanese indigo seeds have germinated and are doing well.
This week’s kimono from the V&A exhibition is a bit unusual. It’s a kimono for a young boy commemorating the first flight from Japan to the UK in 1937. Made from printed wool, it’s decorated with images of Mount Fuji, Tower Bridge and the route taken by the plane.
I’m not sure what the other flag is next to the union flag. It looks like the international maritime signal flag representing the letter T (tango), which usually means “keep clear”. Or maybe the T stands for Tokyo?